аЯрЁБс>ўџ 13ўџџџ0џџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџьЅС@ №ПкbjbjюFюF "Œ,Œ,к џџџџџџˆhhhhhhh|ФФФФи |СЖ№(@BBBBBB$wRЩ дfhfhh{”””hh@”@””hh”ф –B˜ШФ.:”@‘0С” h" ”||hhhh”h hќD”ff||ф`dŠ ||`The Anima Series is based on study of Carl Jung’s work on Anima The anima is the archetype of life itself The anima is one of the most significant autonomous  HYPERLINK "http://en.wikipedia.org/wiki/Complex_%28psychology%29" \o "Complex (psychology)" complexes of all. It manifests itself by appearing as figures in dreams as well as by influencing a man's interactions with women and his attitudes toward them, and vice versa for females and the animus. Jung said that confronting one's  HYPERLINK "http://en.wikipedia.org/wiki/Shadow_%28psychology%29" \o "Shadow (psychology)" shadow self is an "apprentice-piece", while confronting one's anima is the masterpiece. Jung viewed the anima process as being one of the sources of creative ability. Anima. The anima is both a personal complex and an archetypal image of woman in the male psyche. It is an unconscious factor incarnated anew in every male child, and is responsible for the mechanism of projection. Initially identified with the personal mother, the anima is later experienced not only in other women but as a pervasive influence in a man's life. The anima . . . . intensifies, exaggerates, falsifies, and mythologizes all emotional relations with his work and with other people of both sexes. The resultant fantasies and entanglements are all her doing. When the anima is strongly constellated, she softens the man's character and makes him touchy, irritable, moody, jealous, vain, and unadjusted.["Concerning the Archetypes and the Anima Concept,"[ ibid., par. 144.] Jung distinguished four broad stages of the anima, analogous to levels of the Eros cult described in the late classical period. He personified them as Eve, Helen, Mary and Sophia.["The Psychology of the Transference," CW 16, par. 361. ] The psychological priority in the first half of life is for a man to free himself from the anima fascination of the mother. In later life, the lack of a conscious relationship with the anima is attended by symptoms characteristic of "loss of soul." Younger people . . . can bear even the total loss of the anima without injury. The important thing at this stage is for a man to be a man. . . . After the middle of life, however, permanent loss of the anima means a diminution of vitality, of flexibility, and of human kindness. The result, as a rule, is premature rigidity, crustiness, stereotypy, fanatical one-sidedness, obstinacy, pedantry, or else resignation, weariness, sloppiness, irresponsibility, and finally a childish ramollissement [petulance] with a tendency to alcohol.["Concerning the Archetypes and the Anima Concept," CW 9i, par. 146f.] One way for a man to become familiar with the nature of his anima is through the method of active imagination. This is done by personifying her as an autonomous personality, asking her questions and attending to the response. “I mean this as an actual technique. . . . The art of it consists only in allowing our invisible partner to make herself heard, in putting the mechanism of expression momentarily at her disposal, without being overcome by the distaste one naturally feels at playing such an apparently ludicrous game with oneself, or by doubts as to the genuineness of the voice of one's interlocutor.["Anima and Animus," CW 7, pars. 323f.]  #*7:?@Ajklpu Ёўџ э ю I J U V ё ђ ѓ ј ќјьрјмјиаЫиНБ­Ё“Ё‚Ё‚o‚Ё‚Ё‚o‚Ёf]Нhk^ѕ6CJaJhR3Щ6CJaJ$hпLhпL0J6B*CJaJphџ jhпLhпL6CJUaJhlOhпL56CJaJhпLhпL6CJaJhR3ЩhlOhlO6CJaJhlOhlO56CJaJ h“5hlOh“5hlOhпLhlOh“5CJ$aJ$hlOhlO5CJ$aJ$h“hч'T @Aklђ ѓ ћ ^ _ ѓєэюKL./зийꧧј§§§јјјјјјјјјјјјјјјјјgdlOкўј њ c h Иэю.0йкіъмъмъіъіъаhlOhk^ѕ6CJaJhlOhlO56CJaJhlOhlO6CJaJhlO6CJaJ 1hАа/ Ар=!А"А# $ %Аœ@@ёџ@ NormalCJ_HaJmH sH tH DA@ђџЁD Default Paragraph FontRiѓџГR  Table Normalі4ж l4жaі (kєџС(No List4U@Ђё4 пL Hyperlink >*phџк џџџџ@Aklђѓћ^_ѓєэюK L . / з и й м ˜0€€ј˜0€€˜0€€x˜0€€x˜0€€0˜0€€˜0€€0˜0€€˜0€€˜0€€0˜0€€0˜0€€˜0€€0˜0€€ ˜0€€0˜0€€ €˜0€€ ˜0€€0˜0€€˜0€€˜0€€ ˜0€€˜0€€0Alм ^>00^>00€^>00€ј к к к  ўэIUк XџŒXџŒЮ м м ѓљq|НПИКм 3333й м м  IEОi*mWааddЊRаi*mWааddp3i*mWааddšiя4i*mWааddёЫ